3928 W. Alabama St. #6
Houston, TX 77027
(713) 623-4033
www.novaartsproject.com

Amy Hopper
Co-Artistic Director
amy@novaartsproject.com

Clinton Hopper
Co-Artistic Director
clinton@novaartsproject.com


Jenni Rebecca Stephenson
Board President
jenni@novaartsproject.com

Steering Committee
Brian Byrnes
Eva De La Cruz
Pete Ed Garrett
Jim Johnson
Michelle Lopez
Sara Patterson
Kevin Rigdon
Alvaro Rios
Noel Stewart

FAQ

Q: Why start the Nova Arts Project?
A:
We have a particular vision of the type of theatre we wish to do and see cultivated. Instead of hunting around for opportunities to create our work, we’ve decided to build our own home and to offer the resources of that home to other, like-minded artists.

Q: Why classics?
A:
We see classics as well-worn broadcloth, stitched together with familiar, universal themes. We deconstruct and re-form this broadcloth into a new garment, with new images and meanings. We knock the dust off masterpieces and put a new razor-edge onto them in order to do the work of creating new art.

Q: Why new plays?
A:
As exciting as it is to see great works of the past recreated and reborn, it’s even more fun to see new works come into the world, kicking and screaming the whole way. We want to find those projects that are built around challenging imagery and full of contemporary desires, concerns and achievements.

Q: What does avant-garde mean to us?
A:
Narrative need not be complete but can be broken and imagistic. There is a movement away from linearity to multiplicity, where acts and scenes give way to a series of evolving dramatic moments. Existing ways of seeing the world are subverted and questioned, including conventional methods of portraying character and human experience. Each new performance of a theatrical pieces is a unique spectacle. The audience is integral to the shared meaning making of the performance process. Avant-garde theatre works tend to be challenging for an audience who are used to the time-honoured conventions of theatre. The breaking of these expectations and the finding of new boundaries and sensibilities is the very point of this theatrical movement.

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